{"id":104951,"date":"2025-01-16T23:11:53","date_gmt":"2025-01-17T04:11:53","guid":{"rendered":"https:\/\/swordis.com\/?p=104951"},"modified":"2025-01-16T23:11:54","modified_gmt":"2025-01-17T04:11:54","slug":"guide-to-shiage-togi","status":"publish","type":"post","link":"https:\/\/swordis.com\/blog\/guide-to-shiage-togi\/","title":{"rendered":"Shiage Togi: A Guide to Finish Polishing in Japanese Swords"},"content":{"rendered":"\n<div class=\"wp-block-rank-math-toc-block\" id=\"rank-math-toc\"><p>Table of Contents<\/p><nav><ul><li class=\"\"><a href=\"#a-brief-overview-of-shiage-togi\">Brief Overview<\/a><\/li><li class=\"\"><a href=\"#summary-of-shiage-togi-steps\">Summary of Steps<\/a><\/li><li class=\"\"><a href=\"#steps-in-shiage-togi\">Steps in Shiage Togi<\/a><\/li><li class=\"\"><a href=\"#the-final-result\">The Final Result<\/a><\/li><\/ul><\/nav><\/div>\n\n\n\n<p><em>Shiage togi<\/em>, or finish polishing, is the last half of Japanese sword polishing. It is performed by a professional sword polisher (<em>togishi<\/em>) using various polishing stones and techniques after <em>shitaji togi<\/em> (foundation polishing).<\/p>\n\n\n\n<p>This stage is a complex process that brings out the fine details of the <em>hamon<\/em>(sword pattern) and steel. Each step in <em>shiage togi<\/em> contributes to refining the blade, enhancing its beauty and character while preserving its traditional craftsmanship.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"a-brief-overview-of-shiage-togi\">A Brief Overview of <em>Shiage Togi<\/em><\/h2>\n\n\n\n<p>Since <em>shiage togi <\/em>completes the sword polishing process, it is also known as finish polishing. The same principles in <em><a href=\"https:\/\/swordis.com\/blog\/guide-to-shitaji-togi\/\">shitaji togi<\/a> <\/em>applies here:\u00a0<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Great control and precision<\/li>\n\n\n\n<li>Awareness of blade and stone contact<\/li>\n\n\n\n<li>Paying special attention to the blade\u2019s ridgeline.\u00a0<\/li>\n<\/ul>\n\n\n\n<p>However, there are some significant differences compared to the first half:<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th><strong>Polishing Level<\/strong><\/th><th><strong>Polishing Stones<\/strong><\/th><th><strong>Movement<\/strong><\/th><\/tr><\/thead><tbody><tr><td><em>Shitaji Togi<\/em> (Foundation)<\/td><td>Larger and coarser<\/td><td>Blade is moved over the polishing stone.<\/td><\/tr><tr><td><em>Shiage Togi<\/em> (Finish)<\/td><td>Thin and shaved, backed with paper and lacquer<\/td><td>Blade remains stationary while stones are moved over the blade.&nbsp;<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>The aim of <em>shiage togi<\/em> is to bring out the fine details of the <em>hamon<\/em> and the steel. This includes the effects of differential hardening such as the <em>nie<\/em> and <em>nioi<\/em> (large crystals and fine particles). All these details are crucial in giving the blade its identity and represents the togishi\u2019s skill.&nbsp;<\/p>\n\n\n\n<p>While a good polishing reveals and enhances all the details of the blade, a poor polishing will cloud them, decreasing the sword\u2019s value and doing a disservice to the swordsmith.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"summary-of-shiage-togi-steps\">Summary of <em>Shiage Togi<\/em> Steps<\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th><strong>Step<\/strong><\/th><th><strong>Function<\/strong><\/th><th><strong>Result<\/strong><\/th><\/tr><\/thead><tbody><tr><td><em>Hazuya<\/em><\/td><td>Remove marks from foundation polishing<\/td><td>Blade has a smooth and uniform whitish and cloudy appearance without any marks or blemishes&nbsp;<\/td><\/tr><tr><td><em>Jizuya<\/em><\/td><td>To bring out the <em>shinogi ji<\/em> and <em>ji<\/em><\/td><td>Clearer and darker blade with distinct <em>jihada<\/em><\/td><\/tr><tr><td><em>Nugui (Kanahada)<\/em><\/td><td>Slight polishing and to give the blade a darker and more uniform finish.<\/td><td>Darkened blade with a non reflective finish that highlights surface details and metal grain<\/td><\/tr><tr><td><em>Hadori<\/em><\/td><td>Cause deeper scratches on the hamon, lightening its appearance<\/td><td>Enhanced whitened <em>hamon<\/em> contrasting against darker <em>nugui<\/em> finish<\/td><\/tr><tr><td><em>Defining Yokote<\/em><\/td><td>To make the <em>yokote <\/em>line<\/td><td><em>Yokote <\/em>is made at proper angle in relation the the edge and back of the blade<\/td><\/tr><tr><td><em>Kissaki Polishing<\/em><\/td><td>To polish the point area<\/td><td>Clear and whitened <em>boshi<\/em> has a matte finish, standing out from the rest of the blade<\/td><\/tr><tr><td><em>Migaki<\/em><\/td><td>Create contrast for the <em>shinogi ji <\/em>and <em>mune<\/em><\/td><td>Bright and mirror-like s<em>hinogi ji and mune<\/em> contrasts with the rest of the blade<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"steps-in-shiage-togi\">Steps in <em>Shiage Togi<\/em><\/h2>\n\n\n\n<p>The following steps and processes are the major ones in <em>shiage togi<\/em> and are therefore, not exhaustive. In practice, a <em>togishi<\/em> may have additional or different steps depending on their school or individual style.&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Hazuya<\/em><\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"800\" height=\"600\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Hazuya-Stones.jpg\" alt=\"\" class=\"wp-image-104953 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Hazuya-Stones.jpg 800w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Hazuya-Stones-740x555.jpg 740w\" data-sizes=\"(max-width: 800px) 100vw, 800px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 800px; --smush-placeholder-aspect-ratio: 800\/600;\" \/><figcaption class=\"wp-element-caption\"><em>Hazuya Finger Stones &#8211; Credits: AFrames Tokyo<\/em><\/figcaption><\/figure>\n\n\n\n<p>Hazuya stones are essential tools in the <em>shiage togi<\/em> stage of Japanese sword polishing. Made from thin slices of <em>uchigumori<\/em> stone, they are coated with lacquer, backed with Japanese paper, and cut into small squares.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"469\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Takaiwa-cutting-Hazuya-stones-into-squares.png\" alt=\"\" class=\"wp-image-104954 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Takaiwa-cutting-Hazuya-stones-into-squares.png 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Takaiwa-cutting-Hazuya-stones-into-squares-740x386.png 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/469;\" \/><figcaption class=\"wp-element-caption\"><em>Setsuo Takaiwa cutting hazuya stones into small squares &#8211; Credits: The Art of the Japanese Sword<\/em><\/figcaption><\/figure>\n\n\n\n<p>These thin, flexible stones are made to suit the polisher\u2019s technique, and while commercially available, many <em>togishi<\/em> prefer to make their own.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">1. Preparation:<\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"585\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Hazuya-polishing.jpeg\" alt=\"\" class=\"wp-image-104955 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Hazuya-polishing.jpeg 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Hazuya-polishing-740x481.jpeg 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/585;\" \/><figcaption class=\"wp-element-caption\"><em>Hazuya polishing<\/em><\/figcaption><\/figure>\n\n\n\n<p>Once the <em>hazuya<\/em> stones are ready, other items required are:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><em>Tojiru<\/em><\/strong> &#8211; A thin lubricating paste made by rubbing two wet <em>uchigumori<\/em> stones together.<\/li>\n\n\n\n<li><strong>Water<\/strong> &#8211; Sodium carbonate is added in the water so it is alkaline to prevent the blade\u2019s wet surface from rusting.<\/li>\n<\/ul>\n\n\n\n<p>Polishing begins by applying a small amount of <em>tojiru<\/em> (a thin lubricating paste) and water onto an area of the blade that will be polished. The blade is then placed on a stand and held steady using the left hand.&nbsp;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">2. Polishing Process<\/h4>\n\n\n\n<p>With the right index and middle finger curled into a fist, it is placed against the blade to serve as a guide during the process. The <em>hazuya<\/em> is held between the right thumb and blade. It is then moved back and forth lengthwise along the blade, one section at a time.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"844\" height=\"600\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Setsuo-Takaiwa-going-over-the-hamon-and-edge-with-the-hazuya.png\" alt=\"\" class=\"wp-image-104956 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Setsuo-Takaiwa-going-over-the-hamon-and-edge-with-the-hazuya.png 844w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Setsuo-Takaiwa-going-over-the-hamon-and-edge-with-the-hazuya-740x526.png 740w\" data-sizes=\"(max-width: 844px) 100vw, 844px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 844px; --smush-placeholder-aspect-ratio: 844\/600;\" \/><figcaption class=\"wp-element-caption\"><em>Setsuo Takaiwa going over the hamon and edge with the hazuya &#8211; Credits: The Art of the Japanese Sword<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"184\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Result-of-hazuya-polishing-with-milky-white-appearance-and-clear-hamon-and-nioi.png\" alt=\"\" class=\"wp-image-104957 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Result-of-hazuya-polishing-with-milky-white-appearance-and-clear-hamon-and-nioi.png 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Result-of-hazuya-polishing-with-milky-white-appearance-and-clear-hamon-and-nioi-740x151.png 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/184;\" \/><figcaption class=\"wp-element-caption\"><em>Result of hazuya polishing with milky white appearance and clear hamon and nioi &#8211; Credits: The Art of the Japanese Sword<\/em><\/figcaption><\/figure>\n\n\n\n<p><em>Hazuya<\/em> polishing starts at the tang\u2019s ridgeline down to the edge, gradually moving towards the point. Note that the <em>Kissak<\/em>i (point) is not polished at this stage.&nbsp;<\/p>\n\n\n\n<p>If foundation polishing steps were done well, <em>hazuya<\/em> polishing will significantly take less time.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Function<\/strong>: Remove <em>uchigumori<\/em> marks<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Results:<\/strong>\n<ul class=\"wp-block-list\">\n<li>No marks or blemishes in the hamon or steel<\/li>\n\n\n\n<li>Smooth and uniform blade surface<\/li>\n\n\n\n<li>Blade has a whitish and cloudy appearance<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Jizuya<\/em><\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" width=\"803\" height=\"600\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Jizuya-stones.jpg\" alt=\"\" class=\"wp-image-104959 lazyload\" style=\"--smush-placeholder-width: 803px; --smush-placeholder-aspect-ratio: 803\/600;width:803px;height:auto\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Jizuya-stones.jpg 803w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Jizuya-stones-740x553.jpg 740w\" data-sizes=\"(max-width: 803px) 100vw, 803px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" \/><figcaption class=\"wp-element-caption\"><em>Jizuya stones &#8211; Credits: Namikawa Heibei Co.,Ltd.<\/em><\/figcaption><\/figure><\/div>\n\n\n<p>The orange or yellowish brown <em>Jizuya<\/em> stones are made by chiseling flakes from a <em>narutaki<\/em> stone. It is similar to <em>uchigumori<\/em>, but harder and finer. Like the <em>Hazuya<\/em> stones, grind the flakes and back them with paper and lacquer.&nbsp;<\/p>\n\n\n\n<p>There is much variation in the hardness of the stones at this stage. Based on preference, vision, and experience, the <em>togishi<\/em> chooses the grade of <em>jizuya<\/em> to use. This will affect the blade\u2019s final texture, color, and steel detail.<\/p>\n\n\n\n<p><em>Jizuya<\/em> stones are used in the same way when polishing as <em>Hazuya<\/em> stones.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Function<\/strong> &#8211; To bring out the sinogi ji and ji<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Result<\/strong>\n<ul class=\"wp-block-list\">\n<li>Blade becomes clearer and darker<\/li>\n\n\n\n<li><em>Jihada<\/em> begins to stand out<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Nugui<\/em><\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"810\" height=\"600\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Kanahada-the-basic-material-to-make-Nugui.jpg\" alt=\"\" class=\"wp-image-104960 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Kanahada-the-basic-material-to-make-Nugui.jpg 810w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Kanahada-the-basic-material-to-make-Nugui-740x548.jpg 740w\" data-sizes=\"(max-width: 810px) 100vw, 810px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 810px; --smush-placeholder-aspect-ratio: 810\/600;\" \/><figcaption class=\"wp-element-caption\"><em>Kanahada, the basic material to make Nugui &#8211; Credits: Namikawa Heibei Co.,Ltd.<\/em><\/figcaption><\/figure><\/div>\n\n\n<p><strong>Nugui<\/strong> is a fine mixture of iron oxide particles and vegetable oil, used as a gentle abrasive in Japanese sword polishing. While it can be bought, some <em>togishi<\/em> prefer to make it themselves.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"415\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Setsuo-Takaiwa-rubbing-nugui-over-the-blade-using-cotton.png\" alt=\"\" class=\"wp-image-104958 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Setsuo-Takaiwa-rubbing-nugui-over-the-blade-using-cotton.png 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Setsuo-Takaiwa-rubbing-nugui-over-the-blade-using-cotton-740x341.png 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/415;\" \/><figcaption class=\"wp-element-caption\"><em>Setsuo Takaiwa rubbing nugui over the blade using cotton &#8211; Credits: The Art of the Japanese Sword<\/em><\/figcaption><\/figure>\n\n\n\n<p>This final step in surface polishing entails applying a small amount of <em>nugui<\/em> to the blade and rubbing it in with cotton. This is done section by section, one to three times over the entire blade.&nbsp;<\/p>\n\n\n\n<p>Note that it is not used on the point area.&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Function<\/strong>\n<ul class=\"wp-block-list\">\n<li>Slight polishing<\/li>\n\n\n\n<li>Cosmetic purposes &#8211; Darkening and highlighting parts of the blade<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Result<\/strong>\n<ul class=\"wp-block-list\">\n<li>Darkened steel &#8211; Too much <em>nugui<\/em> turns the metal black<\/li>\n\n\n\n<li>Non reflective finish<\/li>\n\n\n\n<li>Highlights surface details and grain pattern<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Hadori<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"436\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Takaiwa-cutting-hazuya-stones-into-ovals.png\" alt=\"\" class=\"wp-image-104961 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Takaiwa-cutting-hazuya-stones-into-ovals.png 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Takaiwa-cutting-hazuya-stones-into-ovals-740x358.png 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/436;\" \/><figcaption class=\"wp-element-caption\"><em>Takaiwa cutting hazuya stones into ovals &#8211; Credits: The Art of the Japanese Sword<\/em><\/figcaption><\/figure>\n\n\n\n<p>Since a prominent white <em>hamon<\/em> is often favored today even by NBTHK judges, <em>hadori<\/em> is often performed to produce a contrasting edge.&nbsp;<\/p>\n\n\n\n<p>This is performed using a <em>hazuya<\/em> stone cut into an oval shape to remove any sharp corners that can scratch the blade.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"800\" height=\"600\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Hadori-polishing.jpg\" alt=\"\" class=\"wp-image-104962 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Hadori-polishing.jpg 800w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Hadori-polishing-740x555.jpg 740w\" data-sizes=\"(max-width: 800px) 100vw, 800px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 800px; --smush-placeholder-aspect-ratio: 800\/600;\" \/><figcaption class=\"wp-element-caption\"><em>Hadori polishing<\/em><\/figcaption><\/figure><\/div>\n\n\n<p>Since the <em>hazuya<\/em> stone is coarser than the <em>jizuya<\/em> stone and <em>nugui<\/em> mixture, it results in larger scratches.&nbsp;<\/p>\n\n\n\n<p>This means <em>hadori<\/em> polishing results in an area that appears whiter than the rest of the blade. This is a time consuming step and can take up to two days to complete.&nbsp;<\/p>\n\n\n\n<p>Note that while a white hamon is preferred, it can mask some of the finer details of the blade.&nbsp;<\/p>\n\n\n\n<p>Therefore, collectors who focus on metalwork and craftsmanship prefer to omit <em>hadori<\/em> and use <em>sashikomi<\/em> polishing instead to emphasize the details of the hamon.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Function<\/strong>\n<ul class=\"wp-block-list\">\n<li>Causes deeper scratches than <em>jizuya<\/em> and <em>nugui<\/em><\/li>\n\n\n\n<li>Lighten the appearance of the hamon<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Result<\/strong>: Hamon is whitened, causing its appearance to be enhanced as it contrasts against the darker <em>nugui<\/em> finish applied previously.\u00a0<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Kissaki no Narume <\/em>(Point Polishing)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"600\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Tools-for-making-a-yokote.png\" alt=\"\" class=\"wp-image-104963 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Tools-for-making-a-yokote.png 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Tools-for-making-a-yokote-740x493.png 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/600;\" \/><figcaption class=\"wp-element-caption\"><em>Tools required to make the yokote: bamboo piece (mask), small hazuya pieces, bamboo spatula, blue tape. To polish the kissaki: narume dai, washi paper, hazuya stone &#8211; Credits: The Art of the Japanese Sword<\/em><\/figcaption><\/figure>\n\n\n\n<p>During foundation polishing, the point area is moved perpendicularly over the stones. In the final<em> stage, <\/em>polishing the point is left till much later, skipping <em>hazuya, jizuya, <\/em>and<em> nugui.&nbsp;<\/em><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">1. Defining <em>Yokote\u00a0<\/em><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"510\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Yokote-1024x510.jpg\" alt=\"\" class=\"wp-image-104972 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Yokote-1024x510.jpg 1024w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Yokote-740x369.jpg 740w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Yokote.jpg 1706w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/510;\" \/><\/figure>\n\n\n\n<p>The point area is divided from the rest of the blade by the <em>yokote<\/em>, a straight line running across the blade to the edge. There can be an actual ridge or just a visual demarcation.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"596\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Takaiwa-making-the-yokote-masking-with-blue-tape-instead-of-a-bamboo-piece.png\" alt=\"\" class=\"wp-image-104964 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Takaiwa-making-the-yokote-masking-with-blue-tape-instead-of-a-bamboo-piece.png 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Takaiwa-making-the-yokote-masking-with-blue-tape-instead-of-a-bamboo-piece-740x490.png 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/596;\" \/><figcaption class=\"wp-element-caption\"><em>Takaiwa makes the yokote, masking with blue tape instead of a bamboo piece &#8211; Credits: The Art of the Japanese Sword<\/em><\/figcaption><\/figure>\n\n\n\n<p>Before polishing the point, the rest of the blade is wrapped for protection. A flat bamboo guide (mask) is placed on the blade to define the <em><a href=\"https:\/\/swordis.com\/blog\/meaning-of-yokote\/\">yokote<\/a><\/em> (line separating the tip).<\/p>\n\n\n\n<p>With the mask secured, polishing paste (<em>tojiru<\/em>) is applied, and a small piece of <em>hazuya<\/em> (polishing stone) is placed flush against the mask\u2019s edge. Using a bamboo spatula, the polisher moves the <em>hazuya<\/em> back and forth along the mask\u2019s edge.<\/p>\n\n\n\n<p>This process makes the point area whiter and more distinct, resulting in a clear and sharp <em>yokote<\/em>.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">2. Polishing Process<\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"568\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Narume-dai.png\" alt=\"\" class=\"wp-image-104965 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Narume-dai.png 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Narume-dai-740x467.png 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/568;\" \/><figcaption class=\"wp-element-caption\"><em>Narume dai &#8211; Credits: The Craft of the Japanese Sword<\/em><\/figcaption><\/figure>\n\n\n\n<p>A <em>narume dai<\/em> is a wooden block used to support the polishing process. Layers of soft Japanese paper, soaked in water, are placed on the block, with a thin piece of <em>hazuya<\/em> stone on top.<\/p>\n\n\n\n<p>The wet paper helps the stone move smoothly, while the <em>narume dai<\/em> cushions it, allowing the polisher to apply even pressure.&nbsp;<\/p>\n\n\n\n<p>This setup is crucial for polishing the rounded point area, ensuring the stone makes full contact with the surface.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"596\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Takaiwa-polishes-the-rest-of-the-kissaki-from-yokote-to-tip-perpendicular-to-blades-length.-.png\" alt=\"\" class=\"wp-image-104966 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Takaiwa-polishes-the-rest-of-the-kissaki-from-yokote-to-tip-perpendicular-to-blades-length.-.png 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Takaiwa-polishes-the-rest-of-the-kissaki-from-yokote-to-tip-perpendicular-to-blades-length.--740x490.png 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/596;\" \/><figcaption class=\"wp-element-caption\"><em>Takaiwa polishes the rest of the kissaki from yokote to tip, perpendicular to blade\u2019s length &#8211; Credits: The Art of the Japanese Sword\u00a0<\/em><\/figcaption><\/figure>\n\n\n\n<p>To polish, the point area is carefully moved back and forth over the <em>hazuya<\/em>, working from the <em>yokote<\/em> (line separating the tip) to the blade\u2019s tip, ensuring a smooth and even finish.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Function<\/strong>\n<ul class=\"wp-block-list\">\n<li>Polishing the tip of the blade<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Result<\/strong>\n<ul class=\"wp-block-list\">\n<li><em>Boshi<\/em> (tip area\u2019s temper line) is whitened, clear, and has a matte finish, allowing it to stand out from the rest of the blade.\u00a0<\/li>\n\n\n\n<li><em>Yokote<\/em> is at the proper angle in relation to the back and edge of the blade.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Migaki<\/em>: Burnishing<\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"656\" height=\"600\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Mune.png\" alt=\"\" class=\"wp-image-104970 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 656px; --smush-placeholder-aspect-ratio: 656\/600;\" \/><\/figure><\/div>\n\n\n<p><em>Shiage togi<\/em> is finished with <em>migaki<\/em>, or burnishing, which polishes the <em>mune<\/em> (back of the blade) and the <em>shinogi-ji<\/em> (the flat surface between the back and the ridgeline).&nbsp;<\/p>\n\n\n\n<p>Burnishing uses pressure to compact the steel, creating a smooth, shiny, and reflective surface that highlights the blade&#8217;s craftsmanship.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\">1. Burnishing Preparations &amp; Tools<\/h4>\n\n\n\n<ol class=\"wp-block-list\"><\/ol>\n<\/blockquote>\n\n\n\n<p>Before burnishing, the relevant surfaces are prepared by cleaning them with <em>tsunoko<\/em> paste, a mixture of powdered horn and water.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"404\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Applying-ibota-that-acts-as-a-lubricant-during-burnishing.png\" alt=\"\" class=\"wp-image-104967 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Applying-ibota-that-acts-as-a-lubricant-during-burnishing.png 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Applying-ibota-that-acts-as-a-lubricant-during-burnishing-740x332.png 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/404;\" \/><figcaption class=\"wp-element-caption\"><em>Applying ibota that acts as a lubricant during burnishing &#8211; Credits: The Art of the Japanese Sword<\/em><\/figcaption><\/figure>\n\n\n\n<p>Once it dries, a fine powder called <em>ibota<\/em> is dusted over the blade.&nbsp;<\/p>\n\n\n\n<p>This powder, made from a waxy substance produced by insects, acts as a lubricant, helping the burnishing tools glide smoothly.<\/p>\n\n\n\n<p>For the process, <em>migaki bera <\/em>(burnishing spatulas) and <em>migaki bo <\/em>(burnishing needles) will also be required.&nbsp;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">2. Burnishing the Surfaces<\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"405\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Burnishing-in-sections-using-a-spatula-with-the-burnished-section-seen-below-the-spatula-.png\" alt=\"\" class=\"wp-image-104968 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Burnishing-in-sections-using-a-spatula-with-the-burnished-section-seen-below-the-spatula-.png 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Burnishing-in-sections-using-a-spatula-with-the-burnished-section-seen-below-the-spatula--740x333.png 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/405;\" \/><figcaption class=\"wp-element-caption\"><em>Burnishing in sections using a spatula, with the burnished section seen below the spatula &#8211; Credits: The Art of the Japanese Sword<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"404\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Finishing-the-process-with-a-burnishing-needle.-A-piece-of-cotton-protects-the-steel-finish.-.png\" alt=\"\" class=\"wp-image-104969 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Finishing-the-process-with-a-burnishing-needle.-A-piece-of-cotton-protects-the-steel-finish.-.png 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Finishing-the-process-with-a-burnishing-needle.-A-piece-of-cotton-protects-the-steel-finish.--740x332.png 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/404;\" \/><figcaption class=\"wp-element-caption\"><em>Finishing the process with a burnishing needle. A piece of cotton protects the steel finish &#8211; Credits: The Art of the Japanese Sword<\/em><\/figcaption><\/figure>\n\n\n\n<p>The burnishing spatula is used before finishing using the needle. Both are rubbed briskly over the surfaces until there is an even mirror-like finish.<\/p>\n\n\n\n<p>Burnishing starts near the tang up to the blade, around 1.5 inches (3 &#8211; 4 cm) at a time.&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Function<\/strong>\n<ul class=\"wp-block-list\">\n<li>To create a decorative contrast between the mune and shinogi ji with the rest of the blade.<\/li>\n\n\n\n<li>To polish the inner surface of grooves.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Result<\/strong>\n<ul class=\"wp-block-list\">\n<li>The blade\u2019s <em>shinogi ji <\/em>and <em>mune <\/em>have a bright and mirror-like reflective surface, contrasting with the other areas of the blade.\u00a0<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"the-final-result\">The Final Result<\/h2>\n\n\n\n<p>After both foundation and finishing polishing, the <em>togishi\u2019s<\/em> job is complete. The polished blade will feature clean and well defined lines with a clear and even finish. The various details on the blade are brought out including the:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Distinct grain<\/li>\n\n\n\n<li>Surface textures<\/li>\n\n\n\n<li>Prominent <em>hamon<\/em><\/li>\n\n\n\n<li>Delineated <em>yokote<\/em><\/li>\n\n\n\n<li>Finished point<\/li>\n\n\n\n<li>Contrasting surfaces<\/li>\n<\/ul>\n\n\n<div class=\"accordion accordion-sources article-slide \"><div class=\"faq-item accordion__item\"><h5 class=\"faq-item__heading accordion__handler\">Sources Cited<span class=\"faq-item__opener faq-item__opener--dark\"><\/span><\/h5><div class=\"faq-item__content accordion__slide content-area\"><ol>\n<li><span style=\"font-weight: 400;\">Kapp L, Kapp H, Yoshihara Y. <\/span><a href=\"https:\/\/books.google.com\/books?id=CGZPvLkmP3IC&amp;printsec=frontcover&amp;dq=The+craft+of+the+Japanese+sword&amp;hl=en&amp;newbks=1&amp;newbks_redir=1&amp;sa=X&amp;ved=2ahUKEwjC2bDR8fuKAxXibPUHHfzEJpUQ6AF6BAgIEAI\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">The craft of the Japanese sword<\/span><\/a><span style=\"font-weight: 400;\">. Kodansha International Ltd. 1987; pages 103 &#8211; 128.<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Kapp L, Kapp H, Yoshihara Y. <\/span><a href=\"https:\/\/books.google.com\/books?id=URDQAgAAQBAJ&amp;printsec=frontcover&amp;dq=The+art+of+the+Japanese+sword&amp;hl=en&amp;newbks=1&amp;newbks_redir=1&amp;sa=X&amp;ved=2ahUKEwjnlvDW8fuKAxXKcvUHHahWDnoQ6AF6BAgMEAI\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">The art of the Japanese sword<\/span><\/a><span style=\"font-weight: 400;\">. Tuttle Publishing. 2012; pages 209 &#8211; 225.<\/span><\/li>\n<\/ol>\n<\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Shiage togi, or finish polishing, is the last half of Japanese sword polishing. It is performed by a professional sword polisher (togishi) using various polishing stones and techniques after shitaji togi (foundation polishing). This stage is a complex process that brings out the fine details of the hamon(sword pattern) and steel. Each step in shiage&hellip;<\/p>\n","protected":false},"author":2,"featured_media":104971,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[58],"tags":[],"class_list":{"2":"type-post","6":"hentry"},"acf":[],"_links":{"self":[{"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/posts\/104951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/comments?post=104951"}],"version-history":[{"count":1,"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/posts\/104951\/revisions"}],"predecessor-version":[{"id":104973,"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/posts\/104951\/revisions\/104973"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/media\/104971"}],"wp:attachment":[{"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/media?parent=104951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/categories?post=104951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/tags?post=104951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}