{"id":105000,"date":"2025-01-20T10:32:34","date_gmt":"2025-01-20T15:32:34","guid":{"rendered":"https:\/\/swordis.com\/?p=105000"},"modified":"2025-01-20T10:32:35","modified_gmt":"2025-01-20T15:32:35","slug":"parts-and-function-of-hi","status":"publish","type":"post","link":"https:\/\/swordis.com\/blog\/parts-and-function-of-hi\/","title":{"rendered":"What Is the Meaning of Bo-hi (Groove) on Japanese Swords?"},"content":{"rendered":"\n<div class=\"wp-block-rank-math-toc-block\" id=\"rank-math-toc\"><p>Table of Contents<\/p><nav><ul><li class=\"\"><a href=\"#practical-function-of-hi-in-japanese-blades\">Practical Function<\/a><\/li><li class=\"\"><a href=\"#carving-hi-grooves-on-japanese-blades\">Carving Hi on Japanese Blades<\/a><\/li><li class=\"\"><a href=\"#the-anatomy-of-hi-grooves-and-related-terminology\">Anatomy and Related Terminology<\/a><\/li><\/ul><\/nav><\/div>\n\n\n\n<p>The <strong>bo-hi<\/strong>, or groove, is one of the most recognizable features on many Japanese blades, yet its purpose goes far beyond mere decoration.&nbsp;<\/p>\n\n\n\n<p>Running parallel to the back of the blade, these narrow channels stretch gracefully across its surface, blending functionality with artistry.<\/p>\n\n\n\n<p>Though not every blade includes this feature, its presence speaks to the thoughtful craftsmanship of Japanese swordsmiths.&nbsp;<\/p>\n\n\n\n<p>From reducing weight for quicker handling to enhancing the blade&#8217;s striking appearance, the bo-hi serves as a perfect example of how practicality and beauty come together in traditional sword-making.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"practical-function-of-hi-in-japanese-blades\">Practical Function of <em>Hi<\/em> in Japanese Blades<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"250\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/A-pair-of-daisho-featuring-a-katana-without-grooves-and-a-wakizashi-with-a-hi.jpeg\" alt=\"\" class=\"wp-image-105001 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/A-pair-of-daisho-featuring-a-katana-without-grooves-and-a-wakizashi-with-a-hi.jpeg 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/A-pair-of-daisho-featuring-a-katana-without-grooves-and-a-wakizashi-with-a-hi-740x206.jpeg 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/250;\" \/><figcaption class=\"wp-element-caption\"><em>A pair of daisho, featuring a katana without grooves and a wakizashi with a hi &#8211; Credits: Mandarin Mansion Antiques<\/em><\/figcaption><\/figure>\n\n\n\n<p>There are several types of grooves (<em>hi<\/em>), varying in width and shape. The type of groove depends on the preference of the swordsmith or the swordmaking school, making them crucial&nbsp;<\/p>\n\n\n\n<p>Grooves on Japanese blades, often referred to as <strong>hi<\/strong>, serve a practical purpose by lightening the blade, making it easier to wield without compromising its structural rigidity.&nbsp;<\/p>\n\n\n\n<p>Beyond functionality, grooves also create a distinct &#8220;whooshing&#8221; sound when the blade is swung, a feature appreciated by practitioners for its feedback and dramatic effect.&nbsp;<\/p>\n\n\n\n<p>They also serve as decoration on a blade, though there is another type of purely decorative engraving called <em>horimono<\/em>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"carving-hi-grooves-on-japanese-blades\">Carving <em>Hi<\/em> (Grooves) on Japanese Blades<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"114\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/A-katana-featuring-the-grooves-on-the-blade.jpeg\" alt=\"\" class=\"wp-image-105002 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/A-katana-featuring-the-grooves-on-the-blade.jpeg 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/A-katana-featuring-the-grooves-on-the-blade-740x94.jpeg 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/114;\" \/><figcaption class=\"wp-element-caption\"><em>A katana featuring the grooves on the blade &#8211; Credits: Mandarin Mansion Antiques<\/em><\/figcaption><\/figure>\n\n\n\n<p>In the realm of Japanese swordmaking, the hi (grooves) can be incorporated into the blade after the swordsmith completes the final shaping of the sword during the <em>kajitogi<\/em> (rough polishing) process.&nbsp;<\/p>\n\n\n\n<p>A swordsmith may consider whether he wants to incorporate either <em>hi<\/em> (grooves),<a href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/23935\" target=\"_blank\" rel=\"noopener\"> decorative carvings (<em>horimono<\/em>)<\/a>, decorative bas-reliefs, or even a poem into the blade.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1. \u00a0Marking and Carving the Grooves<\/h3>\n\n\n\n<p>A swordsmith determines the placement, appearance, and width of the grooves, though the actual carving is often done by a swordsmith\u2019s apprentice. In sword blades, grooves are added above the ridge line (<em>shinogi<\/em>).<\/p>\n\n\n\n<p>Before the grooves are cut, their location is carefully marked on the blade with ink, and the edge and point areas are covered with tape to protect them. Then, the groove is cut with a drawknife (<em>sen<\/em>) equipped with a U-shaped blade, shaving off the steel from the blade surface.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2. Finishing the Ends of the Grooves<\/h3>\n\n\n\n<p>Ideally, the grooves are inspected carefully while they are being worked to ensure that they are straight and uniform along their entire length. A chisel is used to finish the groove-ends, which must be clear and well-shaped.&nbsp;<\/p>\n\n\n\n<p>Then, the rough groove is finished using a round file, followed by a series of grinding stones to obtain a smooth, even surface.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">3. Burnishing the Groove to a Mirror Surface<\/h3>\n\n\n\n<p>During the polishing process, the insides of the groove are burnished by rubbing them with a steel needle until they become bright and reflective. Generally, the process of carving a set of grooves in a long sword, such as a <em>tachi<\/em> or katana, can take up to two to four days.<\/p>\n\n\n\n<p>In some cases, grooves (<em>hi<\/em>) are carved into a blade after the shortening process to restore its balance or even conceal a flaw in a Japanese blade.&nbsp;<\/p>\n\n\n\n<p>Such grooves added later by others instead of the original swordsmith are often referred to as <em>an ato-hi <\/em>(\u5f8c\u6a0b) or <em>ato-bi<\/em> (\u5f8c\u6a0b).&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"the-anatomy-of-hi-grooves-and-related-terminology\">The Anatomy of <em>Hi<\/em> (Grooves) and Related Terminology<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Hi<\/em> (\u6a0b)<\/h3>\n\n\n\n<p>The term <em>hi<\/em> in Japanese refers to the grooves cut into a blade, be it a dagger, sword, spearhead, or polearm. On Japanese swords, these grooves are typically located above the ridge lines (<em><a href=\"https:\/\/swordis.com\/blog\/anatomy-and-characteristics-of-shinogi\/\">shinogi<\/a><\/em>) on both sides of the blade.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"260\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/A-Japanese-blade-featuring-hi-grooves-extending-the-full-length-of-the-sword.jpg\" alt=\"\" class=\"wp-image-105003 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/A-Japanese-blade-featuring-hi-grooves-extending-the-full-length-of-the-sword.jpg 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/A-Japanese-blade-featuring-hi-grooves-extending-the-full-length-of-the-sword-740x214.jpg 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/260;\" \/><figcaption class=\"wp-element-caption\"><em>A Japanese blade featuring hi (grooves) extending the full length of the sword &#8211; Credits: Mandarin Mansion Antiques<\/em><\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Hisaki<\/em> (\u6a0b\u5148)<\/h3>\n\n\n\n<p>The <em>hisaki<\/em> refers to the tip of a groove toward the point of the blade (<em><a href=\"https:\/\/swordis.com\/blog\/examining-kissaki\/\">kissaki<\/a><\/em>). It may stop near the ridge line (<em>ko-shinogi<\/em>) in the point area or below the <em>yokote<\/em>, which is the perpendicular line to the cutting edge.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" width=\"1024\" height=\"869\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Featuring-the-tips-of-the-grooves-in-the-point-area-1024x869.jpg\" alt=\"\" class=\"wp-image-105008 lazyload\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/869;width:auto;height:600px\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Featuring-the-tips-of-the-grooves-in-the-point-area-1024x869.jpg 1024w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/Featuring-the-tips-of-the-grooves-in-the-point-area-740x628.jpg 740w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" \/><figcaption class=\"wp-element-caption\"><em>Featuring the tips of the grooves in the point area &#8211; Credits: Mandarin Mansion Antiques<\/em><\/figcaption><\/figure><\/div>\n\n\n<h3 class=\"wp-block-heading\"><em>Chiri<\/em> (\u6563 or \u30c1\u30ea)<\/h3>\n\n\n\n<p>The term <em>chiri<\/em> literally means the <em>wall of the groove<\/em>. A groove can be carved directly along the ridge line or set slightly off, with the remaining surface <a href=\"https:\/\/markussesko.com\/2015\/02\/25\/kantei-1-sugata-3\/\" target=\"_blank\" rel=\"noopener\">referred to as the <em>chiri<\/em><\/a>. However, some blades lack any <em>chiri<\/em> at all.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"140\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/A-Japanese-blade-featuring-the-chiri-or-wall-of-the-groove.jpeg\" alt=\"\" class=\"wp-image-105004 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/A-Japanese-blade-featuring-the-chiri-or-wall-of-the-groove.jpeg 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/A-Japanese-blade-featuring-the-chiri-or-wall-of-the-groove-740x115.jpeg 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/140;\" \/><figcaption class=\"wp-element-caption\"><em>A Japanese blade featuring the chiri or wall of the groove &#8211; Credits: Mandarin Mansion Antiques<\/em><\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Tome<\/em> (\u7559\u3081)<\/h3>\n\n\n\n<p>The term <em>tome<\/em> refers to the bottom end of the groove towards the blade collar (<em>habaki<\/em>) or tang (<em>nakago<\/em>).&nbsp;<\/p>\n\n\n\n<p>Note that the term <em>tome<\/em> may also apply to the end of the <em>kaeri<\/em>, which is the part of the <a href=\"https:\/\/swordis.com\/blog\/boshi\/\"><em>hamon<\/em> at the point area<\/a>. In some cases, the term is used to refer to the end knot of a <em>tsukamaki<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"900\" height=\"235\" data-src=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/The-tang-of-a-blade-featuring-the-end-of-the-groove.jpeg\" alt=\"\" class=\"wp-image-105005 lazyload\" data-srcset=\"https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/The-tang-of-a-blade-featuring-the-end-of-the-groove.jpeg 900w, https:\/\/swordis.com\/wp-content\/uploads\/2025\/01\/The-tang-of-a-blade-featuring-the-end-of-the-groove-740x193.jpeg 740w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/235;\" \/><figcaption class=\"wp-element-caption\"><em>The tang of a blade featuring the end of the groove &#8211; Credits: Mandarin Mansion Antiques<\/em><\/figcaption><\/figure>\n\n\n<div class=\"accordion accordion-sources article-slide \"><div class=\"faq-item accordion__item\"><h5 class=\"faq-item__heading accordion__handler\">Sources Cited<span class=\"faq-item__opener faq-item__opener--dark\"><\/span><\/h5><div class=\"faq-item__content accordion__slide content-area\"><ol>\n<li><span style=\"font-weight: 400;\">Kapp, L., Kapp, H., &amp; Yoshihara, Y. (1987). <\/span><a href=\"https:\/\/books.google.com\/books?id=CGZPvLkmP3IC&amp;printsec=frontcover&amp;dq=The+craft+of+the+Japanese+sword&amp;hl=en&amp;newbks=1&amp;newbks_redir=1&amp;sa=X&amp;ved=2ahUKEwiXgZ3IzoSLAxX5ia8BHYgjM5UQ6AF6BAgLEAI\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">The craft of the Japanese sword<\/span><\/i><\/a><span style=\"font-weight: 400;\">. Kodansha International.<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Kapp, L., Kapp, H., &amp; Yoshihara, Y. (2002). <\/span><a href=\"https:\/\/books.google.com\/books?id=c7YeN0F5tn4C&amp;printsec=frontcover&amp;dq=Modern+Japanese+Swords+and+Swordsmiths:+From+1868+to+the+Present&amp;hl=en&amp;newbks=1&amp;newbks_redir=1&amp;sa=X&amp;ved=2ahUKEwi7l7jOzoSLAxUIbfUHHTuTD7AQ6AF6BAgGEAI\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Modern Japanese Swords and Swordsmiths: From 1868 to the Present<\/span><\/i><\/a><span style=\"font-weight: 400;\">. Kodansha International.<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Nagayama, K. (2017). <\/span><a href=\"https:\/\/books.google.com\/books?id=zPyswmGDBFkC&amp;printsec=frontcover&amp;dq=The+Connoisseur%27s+Book+of+Japanese+Swords&amp;hl=en&amp;newbks=1&amp;newbks_redir=1&amp;sa=X&amp;ved=2ahUKEwifle7TzoSLAxWld_UHHYqjHwAQ6AF6BAgIEAI\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">The Connoisseur&#8217;s Book of Japanese Swords<\/span><\/i><\/a><span style=\"font-weight: 400;\">. Kodansha USA.<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Roach, C. M. (2010). <\/span><a href=\"https:\/\/books.google.com\/books?id=OG_oBAAAQBAJ&amp;printsec=frontcover&amp;dq=Japanese+Swords:+Cultural+Icons+of+a+Nation&amp;hl=en&amp;newbks=1&amp;newbks_redir=1&amp;sa=X&amp;ved=2ahUKEwjO9NXZzoSLAxVicvUHHZowKAkQ6AF6BAgKEAI\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Japanese Swords: Cultural Icons of a Nation<\/span><\/i><\/a><span style=\"font-weight: 400;\">. Tuttle Publishing.<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Sesko, M. (2014). <\/span><a href=\"https:\/\/books.google.com.ph\/books?id=5w6QBwAAQBAJ&amp;printsec=frontcover&amp;dq=Encyclopedia+of+Japanese+Swords&amp;hl=en&amp;newbks=1&amp;newbks_redir=1&amp;sa=X&amp;ved=2ahUKEwiDn6bjzoSLAxXrka8BHTSQECkQ6AF6BAgMEAI\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Encyclopedia of Japanese Swords<\/span><\/i><\/a><span style=\"font-weight: 400;\">. Lulu.com.<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Sesko, M. (2015, February 25). <\/span><i><span style=\"font-weight: 400;\">KANTEI 1 \u2013 SUGATA #3<\/span><\/i><span style=\"font-weight: 400;\">. Markus Sesko. Retrieved February 11, 2024, from <\/span><a href=\"https:\/\/markussesko.com\/2015\/02\/25\/kantei-1-sugata-3\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">https:\/\/markussesko.com\/2015\/02\/25\/kantei-1-sugata-3\/<\/span><\/a><\/li>\n<li><span style=\"font-weight: 400;\">Tsuchiko, T. (2002). <\/span><a href=\"https:\/\/books.google.com\/books?id=BWy3gx-0PR8C&amp;printsec=frontcover&amp;dq=%E6%97%A5%E6%9C%AC%E5%88%8021%E4%B8%96%E7%B4%80%E3%81%B8%E3%81%AE%E6%8C%91%E6%88%A6:+The+New+Generation+of+Japanese+Swordsmiths+%E8%8B%B1%E6%96%87%E7%89%88+(K.+Mishina,+Trans.)&amp;hl=en&amp;newbks=1&amp;newbks_redir=1&amp;sa=X&amp;ved=2ahUKEwiOtdrozoSLAxXtf_UHHVPDEwkQ6AF6BAgGEAI\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">\u65e5\u672c\u520021\u4e16\u7d00\u3078\u306e\u6311\u6226: The New Generation of Japanese Swordsmiths \u82f1\u6587\u7248<\/span><\/i><span style=\"font-weight: 400;\"> (K. Mishina, Trans.)<\/span><\/a><span style=\"font-weight: 400;\">. Kodansha International.<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Yoshihara, Y. (2012). <\/span><a href=\"https:\/\/books.google.com\/books?id=URDQAgAAQBAJ&amp;printsec=frontcover&amp;dq=The+Art+of+the+Japanese+Sword:+The+Craft+of+Swordmaking+and+Its+Appreciation&amp;hl=en&amp;newbks=1&amp;newbks_redir=1&amp;sa=X&amp;ved=2ahUKEwi83eDtzoSLAxWhafUHHZAUBSIQ6AF6BAgNEAI\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">The Art of the Japanese Sword: The Craft of Swordmaking and Its Appreciation<\/span><\/i><\/a><span style=\"font-weight: 400;\">. Tuttle Publishing.<\/span><\/li>\n<\/ol>\n<\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The bo-hi, or groove, is one of the most recognizable features on many Japanese blades, yet its purpose goes far beyond mere decoration.&nbsp; Running parallel to the back of the blade, these narrow channels stretch gracefully across its surface, blending functionality with artistry. Though not every blade includes this feature, its presence speaks to the&hellip;<\/p>\n","protected":false},"author":7,"featured_media":105011,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[58],"tags":[],"class_list":{"2":"type-post","6":"hentry"},"acf":[],"_links":{"self":[{"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/posts\/105000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/comments?post=105000"}],"version-history":[{"count":3,"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/posts\/105000\/revisions"}],"predecessor-version":[{"id":105012,"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/posts\/105000\/revisions\/105012"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/media\/105011"}],"wp:attachment":[{"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/media?parent=105000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/categories?post=105000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/swordis.com\/wp-json\/wp\/v2\/tags?post=105000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}